Missy in furs, by Roe Ethridge

'Missy in furs in western mass' by Roe Etheridge

One year ago, American art photographer Roe Ethridge shot fashion model Missy Rayder for A#9 on Snow Farm in Western Massachusetts. Missy Rayder, a cow, a rooster, and a pig. And a barn and a fox. An unusual combination? Not if you consider his well established style and method – creating precisely defined series of images that manage to capture a sense of calculated random and restlessness. Mixing nudes of Missy with the farm animals and agricultural setting, Roe creates an eerie calm – and Missy’s tribal face paint by Walter Obal offers further mystery and questions to the viewer.
The stunning landscape is a favourite of Proenza Schouler’s Jack McCullough & Lazaro Hernandez and provides many possibilities for unique and candid images, which Roe utilises to full effect. In one striking image Missy melds into the forest in a dark Proenza Schouler coat, holding a mask to her face on craggy rocks with the fox staring from the corner of the frame – the animal becoming a second protagonist in his narrative.
The series is a beautiful balance of art and fashion for the issue, which is dominated by pure art and fashion, distinctly separated. Here, one fades gracefully into an other – a fashion model stripped of clothing, garments hiding amongst trees, and a focus on living animals – creatures who have no concept of materialism, and who certainly don’t wear Proenza Schouler!

'Missy in furs in western mass' by Roe Etheridge'Missy in furs in western mass' by Roe Etheridge'Missy in furs in western mass' by Roe Etheridge'Missy in furs in western mass' by Roe Etheridge
'Missy in furs in western mass' by Roe Etheridge
'Missy in furs in western mass' by Roe Etheridge

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